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Its strokes are modulated, with a noticeable contrast between thick and thin and a distinctive slice applied to the ends of many of the strokes. Skeena is ideal for body text in long documents, as well as in shorter passages often found in presentations, brochures, tables, and reports. John : Skeena is a fresh take on sans serif, a genre that has been dominated in the past decade by neo-grotesques and geometrics.

We wanted to create a humanist sans serif with generous proportions and a higher than usual stroke contrast also known as the variation in weight between thick and thin parts of the letter.

Because Microsoft wanted us to design for both text and display fonts, I decided we should use the latter to push the stroke contrast further. The display fonts, used at larger sizes, while clearly related to the text fonts, have a more dramatic impact.

Paul : I find a typeface begins as either a mental picture that takes a visual form or an abstract idea that is given life by constantly assessing its forms against the abstract idea. Because the ask for a humanist sans was fairly open, I wanted to cherry-pick from multiple typographic periods and force them to work together. I chose elements that I found challenging to appreciate aesthetically; for example, I like high contrast san serifs.

These can be unsightly and too brittle to work effectively at small sizes in digital environments, which is why they tend to be associated with luxury branding and opulence. Seaford is a sans serif typeface that is rooted in the design of old-style serif text typefaces and evokes their comfortable familiarity.

Its gently organic and asymmetric forms help reading by emphasizing the differences between letters, thus creating more recognizable word shapes.

Tobias : At the start there was just a broad description of a personality—comfortable, warm, inviting, animated—so we began by studying the overall movement of old-style serifed faces. We hoped to create the same, familiar kind of warmth, but without the serifs. And since most of the running text is set in lowercase, the earliest drafts focused on the lowercase branches, bowls, and terminals, tracking how those elements would relate across the various styles.

And when it comes to italics, it turns out there are parallels between chair ergonomics and typography: rather than inflating it and making it softer, trust the rigid moments that are good for your back. Grandview is a sans serif typeface derived from classic German road and railway signage, which was designed to be legible at a distance and under poor conditions. Grandview is designed for use in body text but retains the same qualities of high legibility, with subtle adjustments made for long-form reading.

Typefaces for body text need to encourage the eye horizontally across longer lines of text, but DIN was intended for high legibility in short runs of text in medium to narrow spaces. So, I was concerned that by trying to force the Grandview design to become more text-centric, it would no longer retain the same feeling. Using Bahnschrift—a prototype I developed in the mechanical style of DIN—as a starting point, I decided to keep the x-height large.

This is the reference I use when making web pages and I expect you will find it useful too. If you are new to web design, maybe you are thinking: "Why I have to limit to that small set of fonts? I have a large collection of nice fonts in my computer". Of course, different people will have different fonts installed, and thus come the need of a standard set of fonts. An important development in Windows 10 is the Universal Windows Platform UWP : a converged app platform allowing a developer to create a single app that can run on all Windows devices.

Windows fonts are one aspect of this convergence: Windows 10 introduces a recommended UWP font set that is common across all editions that support UWP, including Desktop, Server, and Xbox.

A number of additional fonts are available for Desktop and Server, including all other fonts from previous releases. However, not all of these are pre-installed by default in all images. In order to make disk usage and font choices more relevant to users according to the languages that they use, a number of fonts have been moved into optional, on-demand packages.

These packages are designed around the different scripts that fonts are primarily intended to support, and most are installed automatically by Windows Update when the associated languages are enabled in language settings for example, by enabling a keyboard.

The following is a list of desktop font sets that are present in the most updated version , May release of Windows Here's a comprehensive listing of which font families are included with each of the optional font features. Some font families may include multiple fonts for different weights and styles.